Humanities Institute at Stony Brook Leadership
Michael Rubenstein Director
 Michael Rubenstein is Professor in English Department specializing in post-1945 Anglophone literature
                     and culture; Irish Modernism; James Joyce; Film; and the Environmental Humanities.
                     His most recent book is Pipeline Noir: Seeing Oil through Chinatown (University of Minnesota Press, 2025). His other books include Modernism and Its Environments (London Bloomsbury, 2020), co-authored with Justin Neuman and  Public Works: Infrastructure, Irish Modernism, and the Postcolonial (Notre Dame: 2010), which received the Modernist Studies Association Prize for Best
                     Book of 2010 and the American Conference for Irish Studies Robert Rhodes Prize for
                     a Book on Literature. He is co-editor, with Sophia Beal and Bruce Robbins, of a special
                     issue of Modern Fiction Studies on "Infrastructuralism" (2015). His current project, Life Support: Fictions of Energy and Environment, examines the figure of the pipeline (aqueducts, transmission lines, and oil pipelines)
                     in a selection of postwar Anglophone film and fiction. He teaches classes in “British
                     Cinema,” “The New Hollywood,” “Irish Modernism,” “Empire and Global English,” and
                     “Energy Humanities.”
Michael Rubenstein is Professor in English Department specializing in post-1945 Anglophone literature
                     and culture; Irish Modernism; James Joyce; Film; and the Environmental Humanities.
                     His most recent book is Pipeline Noir: Seeing Oil through Chinatown (University of Minnesota Press, 2025). His other books include Modernism and Its Environments (London Bloomsbury, 2020), co-authored with Justin Neuman and  Public Works: Infrastructure, Irish Modernism, and the Postcolonial (Notre Dame: 2010), which received the Modernist Studies Association Prize for Best
                     Book of 2010 and the American Conference for Irish Studies Robert Rhodes Prize for
                     a Book on Literature. He is co-editor, with Sophia Beal and Bruce Robbins, of a special
                     issue of Modern Fiction Studies on "Infrastructuralism" (2015). His current project, Life Support: Fictions of Energy and Environment, examines the figure of the pipeline (aqueducts, transmission lines, and oil pipelines)
                     in a selection of postwar Anglophone film and fiction. He teaches classes in “British
                     Cinema,” “The New Hollywood,” “Irish Modernism,” “Empire and Global English,” and
                     “Energy Humanities.”
Erika Supria Honisch Associate Director
 Erika Supria Honisch (PhD, University of Chicago) is Associate Professor of Critical Music Studies in
                     the Music Department and Affiliate Faculty in the History Department. Specializing
                     in co-existence and conflict in the early modern world, she uses music and sound to
                     provide new answers to longstanding historical and historiographical questions. Her
                     articles appear in Journal of Musicology,  Common Knowledge, Music & Letters,  and
                     Austrian History Yearbook, among others, and she sits on the editorial boards of the
                     Yale Journal of Music and Religion and the Journal of the American Musicological Society.
                     A champion of inclusivity in the academy, her work is informed by her South Asian
                     and German roots. In 2022, she received the Stony Brook CAS Godfrey Award for Excellence
                     in Teaching.
Erika Supria Honisch (PhD, University of Chicago) is Associate Professor of Critical Music Studies in
                     the Music Department and Affiliate Faculty in the History Department. Specializing
                     in co-existence and conflict in the early modern world, she uses music and sound to
                     provide new answers to longstanding historical and historiographical questions. Her
                     articles appear in Journal of Musicology,  Common Knowledge, Music & Letters,  and
                     Austrian History Yearbook, among others, and she sits on the editorial boards of the
                     Yale Journal of Music and Religion and the Journal of the American Musicological Society.
                     A champion of inclusivity in the academy, her work is informed by her South Asian
                     and German roots. In 2022, she received the Stony Brook CAS Godfrey Award for Excellence
                     in Teaching.  
Adrienne Unger Program Coordinator
 Adrienne Unger received her BA in English/Creative Writing and Literature from Long Island University-Southampton
                     Campus, and her MFA in Creative Writing from George Mason University. Previously,
                     she was the Administrative Coordinator at the Creative Writing and Literature program
                     at Stony Brook Southampton. Her work for other organizations includes stints at the
                     Association of Writers and Writing Programs, the Alvin Ailey Dance Theatre Foundation
                     of Maryland, the Johns Hopkins Children's Center, the Kennedy-Krieger Institute and
                     the Baltimore Museum of Art. She was a Washington, DC staff reporter for Crain Communications
                     Inc.’s Business Insurance Magazine and was a freelance writer for various publications including Jubilee, Black Engineers and NSBE Magazine. Adrienne’s poetry, essays and reviews have been published in several literary journals
                     including The Southampton Review, Chautauqua, Mystery Tribune, Harvard Review Online,  FLARE: The Flagler Review, Oberon,  Alehouse, Linden Avenue Journal, Fifth Wednesday Journal, Passager,  The Scene and Heard and Door Is A Jar Literary Magazine.
Adrienne Unger received her BA in English/Creative Writing and Literature from Long Island University-Southampton
                     Campus, and her MFA in Creative Writing from George Mason University. Previously,
                     she was the Administrative Coordinator at the Creative Writing and Literature program
                     at Stony Brook Southampton. Her work for other organizations includes stints at the
                     Association of Writers and Writing Programs, the Alvin Ailey Dance Theatre Foundation
                     of Maryland, the Johns Hopkins Children's Center, the Kennedy-Krieger Institute and
                     the Baltimore Museum of Art. She was a Washington, DC staff reporter for Crain Communications
                     Inc.’s Business Insurance Magazine and was a freelance writer for various publications including Jubilee, Black Engineers and NSBE Magazine. Adrienne’s poetry, essays and reviews have been published in several literary journals
                     including The Southampton Review, Chautauqua, Mystery Tribune, Harvard Review Online,  FLARE: The Flagler Review, Oberon,  Alehouse, Linden Avenue Journal, Fifth Wednesday Journal, Passager,  The Scene and Heard and Door Is A Jar Literary Magazine.
Hannah Waterman Graduate Assistant
 Hannah Waterman is a Ph.D candidate in Critical Music Studies at Stony Brook University. Her dissertation,
                     “Imaginary Sound Worlds in Early Modern Scientific Thought,” examines how sonic imagination
                     shaped scientific inquiry in the seventeenth century, tracing intersections between
                     music, natural philosophy, and emerging theories of perception. Her research draws
                     on archival sources, the history of science, and historical sound studies to illuminate
                     the role of auditory speculation in early modern epistemologies. Outside of her academic
                     work, she is an active performer on the Baroque cello.
Hannah Waterman is a Ph.D candidate in Critical Music Studies at Stony Brook University. Her dissertation,
                     “Imaginary Sound Worlds in Early Modern Scientific Thought,” examines how sonic imagination
                     shaped scientific inquiry in the seventeenth century, tracing intersections between
                     music, natural philosophy, and emerging theories of perception. Her research draws
                     on archival sources, the history of science, and historical sound studies to illuminate
                     the role of auditory speculation in early modern epistemologies. Outside of her academic
                     work, she is an active performer on the Baroque cello. 
Jesus-Jimenez-Valdes IDEA Grad
 Jesus Jimenez Valdes is a Ph.D. candidate in Hispanic Languages and Literature at Stony Brook University,
                     specializing in eighteenth-century Spanish-American travel writing. In his dissertation,
                     he is examining the tensions between scientific observation and imperial politics
                     in Enlightenment scientific expeditions. He has presented his research at conferences
                     including LASA, NeMLa, and IILI. His research has been supported by competitive fellowships
                     including the IDEA Grad fellowship, which enabled his collaboration with the Humanities
                     Institute at Stony Brook, the Guiliano Fellowship for international archival research,
                     and LACS research grants. He co-edited a special issue on printed news in the Hispanic
                     Monarchy (2021) and organized a three-part lecture series featuring leading scholars
                     Jorge Cañizares-Esguerra and Mariselle Meléndez in 2023.
Jesus Jimenez Valdes is a Ph.D. candidate in Hispanic Languages and Literature at Stony Brook University,
                     specializing in eighteenth-century Spanish-American travel writing. In his dissertation,
                     he is examining the tensions between scientific observation and imperial politics
                     in Enlightenment scientific expeditions. He has presented his research at conferences
                     including LASA, NeMLa, and IILI. His research has been supported by competitive fellowships
                     including the IDEA Grad fellowship, which enabled his collaboration with the Humanities
                     Institute at Stony Brook, the Guiliano Fellowship for international archival research,
                     and LACS research grants. He co-edited a special issue on printed news in the Hispanic
                     Monarchy (2021) and organized a three-part lecture series featuring leading scholars
                     Jorge Cañizares-Esguerra and Mariselle Meléndez in 2023.
