| ADMINISTRATIVE INFORMATION     TitleTintypes and Portraits Collection
  Unidentified man, n.d. Tintypes and Portraits Collection. Special Collections, SBU
                                       Libraries.Collection NumberSC 341
 OCLC Number1179140046
 Creator The photographer and original owner are unknown.
 Provenance This collection was donated by Leighton Coleman III in 2005.
 Extent,Scope, and Content Note The collection includes 3 linear inches of tintype portraits produced circa 1860s-1880s.
                                 The subjects are primarily unidentified African American men, women, and children.
 Arrangement and Processing NoteProcessing completed in December 2005. Updated August 2019.
 LanguageEnglish
 Restrictions on AccessThe collection is open to researchers without restriction.
 Rights and Permissions Stony Brook University Libraries' consent to access as the physical owner of the collection
                                 does not address copyright issues that may affect publication rights. It is the sole
                                 responsibility of the user of Special Collections and University Archives materials
                                 to investigate the copyright status of any given work and to seek and obtain permission
                                 where needed prior to publication.
 Citation [Item], [Box], Tintype and Portraits Collection, Special Collections and University
                                 Archives, Stony Brook University Libraries.
 Historical NoteIntroduced in the mid-19th century, tintypes are positive photographs produced when
                                 a nitrocellulose solution is applied to a thin enamelled black iron plate immediately
                                 prior to exposure. The tin-type is actually negative in its chemical formation, but
                                 is made to appear positive by the black plate. Tintype portraits were identical to
                                 daguerreotypes, as they were of the same standard sizes, and they were enclosed in
                                 the same type of case. They did not approach the brilliancy of daguerreotypes, however.
                                 By the 1860s the elaborate presentation of tintypes had been abandoned, and the metal
                                 sheets were simply inserted in paper envelopes, each with a cutout window the size
                                 of the image. Tintypes were regarded as folk art through the 19th century and were
                                 often used by sidewalk portrait artists at parks, fairs, and beaches. (Source: Encyclopedia
                                 Britannica)
 
 SubjectsTintype -- Specimens.
 Portraits -- Specimens.
 African Americans -- Photographs.
 African Americans -- Portraits.
 African Americans.
 Portrait photography.
 Men -- Portraits.
 Women -- Portraits.
 Children -- Portraits.
 Infants -- Portraits.
 |